Monday, February 27, 2006

Canada Confirmed!

Ivan at Stonetree Records has informed me that The Grandmaster is confirmed at 4 festivals in Canada this summer. They are:

Winnipeg Folk Festival, July 6-9
Calgary Folk Festival, July 27-30
Regina Folk Festival, August 11-13
Salmon Arm Roots & Blues Festival, August 18-20

Victoria and/or Vancouver are still pending.

This is going to be an amazing opportunity for me to shoot stuff for my documentary. I especially love that it will take my film to my home country of Canada, a sort of blending of my two worlds.

Money is going to be the big problem as I do not have the funding I need for this type of road trip. Forget even paying myself for the weeks I would be on the road shooting, but how am I going to pay for my travel between cities, my meals and accomodation, and a sound recordist on the days I am shooting? In between festivals I can stay with family and friends in Vancouver, but I will still need to come up with at least $3500 for expenses.

Somehow I have to make this happen because it is too important to my film.

Sunday, February 26, 2006

Cost Rica Postmortem

Just a few final comments about the Costa Rica trip.

My 5 camera deal turned out to be too good to be true. Nobody's fault, especially given everything the technical people were dealing with, but I edned up paying US$300 for 2 cameras (plus my own). One of those cameras was on a dolly however, so I got some very sweet stuff on GM during his set with ACyM. Big thanks to Luciano and Fede from Papaya, and Julio Molina for pulling the camera crew together at the last minute!

The show on Sunday was shot with 6 cameras so I hope to get a tape of GM's stuff from that night. He did 2 songs with Malpais.


Ivan, GM, and Brent backstage at Papaya Fest

A lot of people asked me how I liked Costa Rica... Honestly, I spent almost the entire time in San Jose, and like all major cities in Central American it is probably not a good reflection on the country as a whole. Outside of the downtown core was very clean and pleasant, but downtown San Jose was a bit of a pit. I was expecting more old colonial buildings, but instead I was surprised to see that much of downtown is from the 1970's. It kind of reminded me of the parts of Vancouver that sprouted up during that city's 70's building boom. We stayed smack in the middle of downtown, in a decent area that was surrounded by pedestrian strolls and shops, but our hotel was full of whores and whoremongers. It got quite depressing to see ugly fat old gringos bringing in young chicas all day and all night. I started calling our hotel the "whore-tel". I was glad to get out of there!

I'm probably going to take a bit of a break from shooting with GM for a while. I need to do a few interviews with some people here in Belize, and I also need to get some stuff with GM at home and around Belize City. I will hopefully shoot that when my pal, and soundman, Doug Murray is in Belize late next month. But after that I may not shoot much until summer when GM goes to Canada for a few festivals. That trip is going to need some major finance, which I don't have yet!

Costa Rica Concert Clip



Here's a clip of The Grandmaster performing with Amarillo, Cian y Magenta at Papaya Fest in Costa Rica. If you have a slow connection let the video load fully before playing for best results.

Show Time in San Jose


GM at the hotel before his concert

It was too hard to keep up this blog while in San Jose, so the next few installments are after the fact... first about GM's performances:

Friday afternoon GM had his last rehearsal with Amarillo, Cian y Magenta. He was on fire, the band was tight, it promised to be a hell of a show. As the rehearsal wrapped, GM delivered a very heartfelt thanks to the boys in ACyM for this opportunity to work with them. Hearing his voice crack with sincere emotion almost made me lose it myself. So much for the objective observer. Then as GM went to use the bathroom the sound of shattering glass destroyed the maudlin mood. Somehow GM had caused the bathroom mirror to fall and shatter! Bad luck? Time would tell.

Later that evening, at the concert venue, GM shows up to do a little pre-promotion for his show the following night. As a very cool calypso-jazz band is performing, GM pulls a stunt that I can only admire. He walks into the camera pit (the area right in front of the stage that is for photographers only) and goes over to someone and offers an autographed picture of himself. Now remember that practically nobody in San Jose knows him yet. But when the crowd sees someone signing autographs they get excited and suddenly everyone wants one. So a little GM-mania breaks out as people flock to get an autographed picture from this rasta guy. Talk about stealing the show... only The Grandmaster would have the nerve to show up and sign autographs during someone else's concert!

As the band wraps their set, the technicians play the video for Pressure on the big screens (of course this too was pre-arranged by GM). Into the mass of people goes GM, dancing amongst his legions of brand new fans, leading them in a sing-along of "Pressure... Pressure... Presssssssuuuuurree!". Later that night GM admited to me that he came up with the idea for the publicity stunt the night before. And here I was beginning to worry that GM was not taking this opportunity in Costa Rica seriously.

Come showtime Saturday, GM starts to show signs of genuine stage fright. Nothing to be alarmed about, but it is good to see that performing in front of about 3,000 people is enough to make even The Grandmaster a tad nervous.


Backstage butterflies!

As the band strikes the opening chords for "Pressure" GM takes the stage. He is on tonight. In mere moments he has the Costa Rican crowd in the palm of his hand. He's using every bit of Spanish he can remember to work the crowd, and when that fails him he makes up his own form of Spanglish. But somehow it is working. They love The Grandmaster.

And so the set goes. The band is smoking and GM is really working it. Problem is somewhere along the way they got out of sync with each other. GM is dubbing lyrics to his poems over the wrong songs. The crowd doesn't notice anything awry, but ACyM is obviously alarmed by this deviation from plan A. Things kind of fall apart when GM finishes "his" set and leaves the stage, leaving the band unsure of what to do next. They quickly recover and in a few minutes GM returns for his encore, of course non of this is how the set was planned to play out.

The whole experience would leave the guys from ACyM a bit shell-shocked and on Sunday they chose to perform sans GM. The Grandmaster instead would play 2 songs with Malpais, another band from Costa Rica, and everything goes very smoothly for all parties.


The Grandmaster perfoms with Malpais on the last night of Papaya Fest

GM would have the last word at Papaya Fest, literally. During the big "we are the world" grand finale on Sunday, all the performers joined together on stage for the closing number. It was one of the Papaya's songs, in Spanish, and each of the featured artists took a turn on the mic. GM of course not speaking Spanish had no idea what the lyrics were so he could not sing along. But just as the song came to a close, GM grabs the mic and breaks into a line from his poem "I Cry", then thanks Costa Rica and bids everyone good night. Only The Grandmaster would pull something like that!

Thursday, February 16, 2006

Costa Rica Report #2

Yesterday was an easy day for the Grandmaster. A photo shoot for a newspaper, a radio interview, and a short practice with the band. Then it was time for GM to let his dreads down. And holy crap did he ever. I am still undecided about how much to divulge on this blog, but it's all on tape. Let's just say I've got the sex and drugs part of the title covered.

Tonight we are going to try to shoot a scene for a music video for Que Sera Sera. If that goes well we will finish shooting the video on Saturday.

The GM show is on Saturday and I just arranged with the video producer who is taping tonight's Papaya concert to shoot GM for me. Five cameras (high def down converted to NTSC)!! They have all the equipment for the entire week, but there was no budget to pay for the cameramen. So I am paying that. $150US for a five camera crew is a steal. I can't believe how I lucked out on this one.

Wednesday, February 15, 2006

Costa Rica Report#1

Time is scarce, and these Spanish keyboards give me fits, so this will be a bit rough. I will edit and add photos when I get back to Belize.

The flight from Belize to CR was easy. Only hassle was in El Salvador where 3 immigration officials demanded GM's passport while we were waiting in the departure lounge. They found it hard to believe that we were traveling together. They kept asking me if there were a lot of hippies in Belize.

Arriving in San Jose we were met by Ivan of Stonetree Records and Ana from Papaya Music. Dropped off our bags at the hotel, a quick bite at a mexican restaurant, and then off to the Jazz Cafe to see the band GM is performing with on Saturday. Before we could even drink our first beer GM was on stage doing an improv song with the band. A sign of good things to come this week.

The Grandmaster doing local TV interview in San Jose

Tuesday was a full day with radio and TV interviews, and then a rehearsal with Amarillo, Amarillo Cian y Magenta in the afternoon. The band is a really good acid jazz combo and GM and them blend very well together. For a first rehearsal things went really well. The rehearsal room was very small so it was hard for me to shoot,but I did get a few good clips for the documentary.

The Grandmaster rehearses with Amarillo, Cian y Magenta


I'm working with a local soundman, Julio Molina. He's a very cool guy and a good soundrecordist. Julio is also an independent filmmaker and he has really gotten into this project. I can't afford to work with him every day, but we will work together 4 days this week so I am confident I will get some great stuff before the week is over.

The Grandmaster and Julio enjoy a coffee break

GM is doing well with everything so far. Yesterday wore him out a bit as he is not used to having to put in so much work,but he was a pro about everything. Over a few beers he admitted he was suffering from withdrawal, not having any weed for 24 hours. But that situation was resolved when one of the Papayas showed up at our room with some medicine for GM. A spliff and a few shots of my 12 year old Flor de Cana rum and he found his second wind. So I set up the camera and we did an interview about the day right there in our hotel room.

Today should be an easier day for GM as there is less on his schedule.

Monday, February 06, 2006

Finding Time

It's been a nutty crazy time. I've been booked solid shooting for other clients for weeks, and the days leading up to the Costa Rica trip are no different. On Thursday I leave town for a 4 day shoot with a documentary crew from Spain that will wrap at the airport on Monday when I fly to San Jose. In fact the Spanish crew are on the same (first leg) flight as me to San Salvador.

So this is making it tough to prep for the week in San Jose. I have today and Wednesday to get everything in order. I don't have much of a shooting schedule set up yet which concerns me a bit, but the good thing about The Grandmaster is you know something "filmworthy" is always going to happen! I just have to be ready to shoot whatever it is.

I've made contact with a soundman in San Jose who is going to work with me for 3 days which will make my life so much easier, and my footage so much better. I'm really excited about this trip because not only do I think I am going to get some great stuff, but I am really looking forward to spending a week concentrating on my documentary and only my documentary.